“When I was young, I invented an invisible friend called Mr Ravioli. My psychiatrist says I don’t need him anymore, so he just sits in the corner and reads.”
Cast: Toni Collette, Philip Seymour Hoffman, Eric Bana
Mary Daisy Dinkle is a lonely 8 year old girl living in Australia. She has no friends, comes from a broken home and is often teased at school for a birthmark on her forehead. One day she decides to write to a random person from the phone
directory and by pure chance, chooses Max Jerry Horowitz. Max is a 44 year old obese man who lives in New York. He suffers with severe mental problems that have left him without many close friends of his own.
After the exchange of a few letters an unlikely friendship is struck up between the two, and so the story follows their letters back and forth over a period of 20 years.
Mary and Max, hands down, has to be one of the best claymation films I have ever seen. I also
never really expected a film like this to leave such a lasting impression on me, but it has.
As a dark comedy, Mary and Max is such a step away from these glossy, generic animations pouring out of Hollywood that it makes you sit up and take notice. What we have here isn’t a cliched piece of work, but something that feels original, personal and innovative. Rather than going for the biggest audience possible, the story has stuck to some of its more heavy plot lines and kept true to its roots. Whether than means sacrificing some of its potential audience, never mind, as it secures the film as one above the rest.
The first wonderful feature you will notice about the film is that it is narrated (by Barry Humphries). It gives the film a beautiful ‘storybook’ feel and really suits its nature. It must be noted though, that just because Mary and Max is an animation doesn’t necessarily mean it’s aimed at a young audience. The film surprisingly tackles issues ranging from depression to
alcoholism and in my eyes, could be classed as more of an adult’s film. However, the scenes in which these heavier things happen aren’t too traumatising and with a nice narrater giving us the low down, it distracts from some of the heavier topics.
The film is also wonderfully funny. With Philip Seymour Hoffman as the voice of Max, we get a great delivery of Max’s lines, which are accompanied by a strong New York accent, very suited to his burly figure. This bumbling, naive man is a real treasure and having him struggle throughout life with a mental illness is really heartbreaking. However it does ensure a sense of innocence follows, which is perhaps why he connects with Mary so well.
Bethany Whitmore voices a young Mary and it just fits superbly with the character. Managing to get to the core of Mary, Whitmore really understands the young, troubled girl and gives a wonderful performance. Toni Collette and Eric Bana play smaller roles yet they are as equally as impressive as the bigger ones; this cast has been well thought out and it shows.
Mary and Max is a brilliant adaptation of a true story. Told through claymation, it has to be one of the most endearing stories and is voiced by some great people. I can’t recommend this film enough.
Star rating: 8.5/10
Directed by Adam Elliot.
Running time 92 minutes.